Next I tried editing the start-time field in the text list, but the Mac issued its “error” noise and rejected the new data input. I wanted to change the order of the tunes so I tried grabbing a waveform with the mouse and dragging it to the left as I would in a DAW. 1) is displayed graphically and as a database-style text list. Importing the Regions into the Playlist was a snap, but after that the process got interesting. Alternately, users can simply drag the files directly to the playlist and region markers are automatically created. I then opened all of the files and added Region markers at the beginning and end of each. First, I copied the files from my PC to my new MacBook Pro (which was able to access the Shared folder on the Windows computer without trouble). For full details on the differences between Peak LE, Peak Pro and Peak Pro XT, check the BIAS Website.ĭuring the past few years, I’ve accumulated a variety of original music on my hard drive, so my first big project in Peak was importing the finished stereo mixes and creating a CD master. Features include a Metering window with seven displays called Reveal, a widget from Cycling ’74 that can capture the output of other audio apps as new Peak files a starter sound library with some loops and special effects and more. Peak Pro XT ships with plenty of extras, such as Peak Pro 6, SoundSoap Pro, SoundSoap, Master Perfection Suite and DDP Export. The Version 6 release is not a breakthrough, but it provides some welcome enhancements: multisegment volume envelopes for the regions in a playlist a broad variety of dithering, including precise clones of the most popular algorithms available support for FLAC and MPEG-2 files user interface enhancements, including improved crossfade modes richer support for CD subcode data and much more. But if you’re looking for a high-end stereo audio editor on the Mac, BIAS Peak Pro is the only game in town. The market for multitrack DAW software is crowded.
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